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Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman
Ebook Free Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman
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Product details
Paperback: 232 pages
Publisher: Michael Wiese Productions (January 1, 2014)
Language: English
ISBN-10: 161593166X
ISBN-13: 978-1615931668
Product Dimensions:
11 x 0.5 x 7.5 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
25 customer reviews
Amazon Best Sellers Rank:
#612,998 in Books (See Top 100 in Books)
While doing prep work for my first two feature films I read many books and articles about the importance of camera movement in regards to creating your vision as a director. This book by Gil Bettman will undoubtedly serve as my camera movement bible for my third feature (and fourth, fifth…). What Bettman manages to do in this book is convey not only why we move the camera, but HOW best to move the camera given the circumstances of the scene.Having made my first two features independently, I know just how expensive a great camera move can be, and how in the world of independent filmmaking you need to “get your money’s worth†out of every camera move you decide to make. The first half of this book focuses on ways to seamlessly create professional and intelligent camera moves that can enhance the quality of any film, whether it is a big budget blockbuster like “Saving Private Ryan†or a simple YouTube video. Throughout his book Bettman reiterates that these camera moves are what audiences have come to expect, and without them your product can seem cheap or poorly made.The second half of the book focuses on directing action sequences. Personally I’ve never directed an action sequence, but there’s no denying that the visual eye candy in the action genre is a major reason as to why audiences keep breaking out their wallets to go to theaters to see these movies. More importantly for me, there was plenty to take from this section that could go into any genre, from comedy straight through to drama and horror. This section focuses on lens choice and story-boarding a great deal, and being cognitive as to what your audience is going to see is something that’s paramount to all genres.Finally, if you’re worried about this book being too technical or wordy, don’t fear! The book plays out like a straightforward lecture. There’s no excess fat, no talking in circles, and no words you won’t understand. It’s a smart book, but it exists to teach. And it excels at doing so.
Some interesting insights backed up with clips to actual scenes from real movies that are analyzed and broken down in the book. I learnt quite a bit. A book I will probably re-read a few times until it all becomes automatic. Nice hints for teachers as well.
Straight forward easy to apply information.
Long story short, I recommend this book, you will find a lot of useful information on directing cameras. But the techniques and rules mentioned are more on the surface and lack of depth in terms of building the design of camera movements upon your materials.
excellent book, I came in very good condition, I recommend it for people quew study film and television remain very happy ... thank you
good textbook. learned a ton!
I am not a DOP so I cannot comment from that point of view however from a Directing point of view I think its this book is invaluable. The set out could have been a laid a bit better and the illustrations are adequate but the general content is excellent.
This is a must read for anyone aspiring to work with a camera.
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